Saverio Smith.

Madrid, 22 Sept. (EFE) .- In a heteropatriarchal music market like the Spanish one traditionally, Madrid has shown tonight with its Aitana-mania that there is ample room to welcome national figures in the line of Anglo-Saxon divas who grow strong on a proudly feminine energy and pop.

Tell the cries of fervor that the young Catalan snatched tonight from the thousands of women, teenagers and girls (and a few casual men) gathered at the Wizink Center, more than 15,000 according to the organization, in her third foray into this venue in less than a year. year (the second in a week) and, as on previous occasions, with the sign “no tickets left”.

“This is the last concert! I am very sorry because it has been a wonderful month. What an illusion to finish it here in Madrid, that I too feel very similar to my home! “, Said the artist before the welcome received on this final” tour “in Spain before heading to Latin America to continue to advance on its upward path.

Aitana Ocaña (Barcelona, ​​1999) left «OT 2017» as runner-up and so repeated once again that unwritten law which is the best position to be successful in this sector. At 23 and with two albums on the market, she is now one of the most important women in the national music industry having turned almost everything she touches into gold (or platinum).

Aitana is pure present and this tour of “11 Reasons More” is proof of this as an alleged appendix of the “tour” which ended last December and which, always with almost all of her seats sold on the major stages of the country, justified its existence in a repertoire that only grows.

In fact, of the approximately twenty cuts that made it up, at least a third saw the light in the last year (the most recent, «Ancora», this Thursday). Many of them will be premieres of her third studio album and a few others have emerged thanks to her good ear and her confidence in collaborating with other peers as an engine of mutual growth.

This is one of the reasons that could explain the fervor in Madrid for the young Catalan diva along with that candor and charisma that are a trademark of the house, but there is more, like the gesture of respect for her audience that means that she the concert started exactly at the appointed time, 9.30pm.

He did so with a flashy introduction, between a crackling of spotlights and some overwhelming projections that covered Aitana with that aura of a great star, something to which a theatrical production wider than that of national artists also contributed, with a show of lights to which they brought all their performance in cuts such as «Resilient».

Very talkative between song and song (probably too much for a better rhythm of the concert), she has not stopped commenting on anecdotes and being a good hostess for her guests: Sebastián Yatra (with whom she sang “Las Doubts” and Corazón sin vida »), Marni (” Your photo of identity “), Ptazeta (” You want “) and, almost in closing, a great climax with Zzoilo (” Mon Amour “).

For the beginning of the evening he chose “Formentera” and did it away from a band of five musicians, an effort to be claimed in times of canned music, if only for the economic effort in favor of some professionals who have suffered a lot during the pandemic lull.

Along the same lines, Aitana holds the microphone in her hand without the sound making up her voice. Just as she was known in “Operación Triunfo”, she goes out and sings to make her color-filled stamp fall in love with her, especially in slower cuts like “With Honey on Lips”.

It is true that his choreographic difficulties continue to be highlighted, but that too makes him a strength when he uses honesty. “Thanks to all my dancers for helping me find the movements I felt comfortable with,” he told him towards the end of the concert, when she recalled the accident she suffered in her ankle.

That desire to improve became clear again when he confessed his difficulties playing the piano in front of an audience and, despite that, sat down at the keyboard to weave an acoustic beginning for “Berlín”.

Moreover, in the choreographed kisses of this theme, she expressed her interest in making sexual diversity visible, while with “Ni una más” she tried to fight female inequality, all reasons that, paraphrasing one of her most famous themes, are valid. that Madrid promised out loud: “Rest”.

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